Dunkel, bedrohlich und außerordentlich hartnäckig: Wer von den „Schatten der Vergangenheit“ spricht, erzählt danach meistens keinen Witz. Deswegen irritiert es schon, wenn der Klarinettist Michael Thieke, der Pianist Havard Wiik und der Kontrabassist Antonio Borghini ihr Trio „Der Lange Schatten“ nennen, zumal ihrer Musik eine gewisse Heiterkeit durchaus nicht fremd ist. Aus den langen Schatten der Vergangenheit abstrahieren sie konkrete Klänge von heute, spielen weite stilistische Bögen und kultivieren eine Klangästhetik von eigenwilliger Raffinesse.
Julia Neupert, SWR (Germany)

The Berlin trio of Hâvard Wiik (piano), Michael Thieke (clarinet) and Antonio Borghini (bass) achieve a unity of hearing and empathy that is the much-sought goal of improvisers everywhere. The Jimmy Guiffre Trio is a precursor to the current trio, which worthily extends its freedom-loving approach to improvisation. From the eerie chordal figure that opens „Müll,“ Der lange Schatten (the long Shadow) develop their trialogue with exquisite sensitivity and a strong sense of compositional structure. Figures are stated, explored and transformed, sometimes slowly and patiently, sometimes at lightning speed.
Densities are one of the trio’s specialties. From a single voice to a duo counterpoint to a trio mash-up, the thickness of sound changes, evolves — magical metamorphosis. „Cynthia is Mistakenly Crowned King of Norway“ starts with a jaunty two-part melody. Motifs, two-note patterns and rhythmic phrases are passed around, worried, extrapolated from and then superceded by new materials with playful intensity. Wiik’s harmonies and figurations are part jazz, part new music. Borghini’s rich tone and percussive support obviate the need for drums. Thieke’s fleet, breathy clarinet is a model of directed expressiveness. From restrained to exuberant, Der lange Schatten’s music is never less than brightly creative.
Glen Hall, EXCLAIM (Canada)